Personal sculpture and welded assemblages

Direct frontal catalog framing emphasizing tactile welds, wear, and severe physical presence.

Remnants and refusal

The sculptures refuse decorative softening. Kendall employs decommissioned industrial iron, structural scrap, and found urban remnants, treating each element not as a neutral medium but as material bearing the physical memory of labor and urban dislocation.

Every weld and seam remains exposed. There is no attempt to conceal the friction of construction or the trauma embedded in the metal. The objects stand as unvarnished testimony, direct and severe in their spatial presence.

Curatorial availability

Specimen checklists, structural dimensions, and institutional loan terms available upon request.